Adam Hall Pushing US Plans at NAMM

During this year’s NAMM Show the Adam Hall Group will be presenting various innovations at its booth in Hall A (11514).

In addition to showcasing new product innovations, its Palmer line will debut its new brand identity to the public at the show. The Group is expanding the Palmer portfolio to include a variety of digital hybrid products with a new look and corresponding appeal.

“As an Adam Hall Group brand, the newly revamped presence of Palmer at the Winter NAMM Show 2019 marks the beginning of a new era for us,” said Robin Henlich, Product Manager, Pro Audio. “Times are changing and so is Palmer. Our focus is on the continued evolution of the brand with digital hybrid products while staying true to its heritage and mission to help musicians and sound professionals create pure signals in the pursuit of defining their own sound.”

The new Monicon XL presents the flagship of the Monicon series. Boasting professional specs, the monitor controller has a clearly structured user interface enhanced by an innovative console design. The central control and display elements are inclined towards the user to facilitate more flexible positioning on tables and foster comfortable working.

A unique feature of the Monicon XL is its correlation meter. The professional audio technology meter displays the phase difference between the left and right channel of a stereo signal, thus revealing mono compatibility errors in a mix.

The completely analog audio circuit means there is no latency when monitoring; coaxial S/PDIF signals are converted directly at input. Users seeking a more flexible setup for their L/R studio monitors also benefit from the additional sub out on the rear side of the Monicon XL.

The Palmer Pocket Amp series success story is set to continue into 2019. The MK2 pocket amp for electronic guitarists, the Bass Pocket Amp for bassists, and the Acoustic Pocket Amp for acoustic stringed instruments provide three portable preamps that distinguish themselves with their excellent sound and powerful sound design options.

Palmer is also presenting the Studimon5, an active 5-inch studio monitor in a highly compact bass reflex design. The studio monitors can not only be used in the studio, but also flexibly integrated into other professional audio environments. On the rear, the studio monitors feature a bass reflex port, jack and XLR inputs as well as a volume control.

The new U300 series UHF wireless system from LD Systems provides comprehensive system solutions based on reliable and easy-to-operate wireless technology. U300 Wireless Systems offer solutions with headsets, lavalier or clip microphones, a version for electric guitars and basses, and sets with handheld microphones. The series is complemented by the U300 Wireless In-Ear Monitoring (IEM) Systems. Depending on the version chosen, both the IEM and UHF radio systems cover different frequency ranges, making it easy to get started and expand in the world of wireless technology.

The bodypack’s 10 mW transmission power, effective squelch with pilot tone, and a frequency response of up to 25 Hz also permit professional audio quality transmission of 5-string basses with a low H-string.

Gravity’s premium stands were introduced in 2015. Awarded the internationally renowned Red Dot and IF awards in 2016, the innovative stands and accessories from the Adam Hall Group now cover an extensive range of applications.

Gravity’s Stereobar Plus is made entirely of aluminum, particularly critical components were manufactured using an extremely precise CNC process. Combined with the extensive angle and distance markings, the Stereobar Plus ensures precise microphone alignment for reproducible results.

No less practical are the new MA DRINK drink holders in sizes M and L. In contrast to the many other solutions on the market that are attached to microphone stands, the MA DRINK relies on plastic housing, not steel. The benefit: the unwanted transmission of vibrations to the stand that result from inserting or removing cups or bottles are reduced to a minimum, allowing the artist to focus entirely on the performance with their microphone or instrument.