“There were a lot of reasons for choosing ADJ as our exclusive lighting supplier for this project,” explains Nick. “The product is solid, and the reliability is really good; considering the number of fixtures involved, it’s incredible that there have been almost no issues with any of them! ADJ’s fantastic customer service was another key factor. It’s rare to find a company that provides such a personal level of pre- and post- sale service. Not only can I, as the dealer, make a phone call and get product support straight away, I know the same is true for Wes, as my customer.”
In addition to the static wash lighting, Carolina Creek also invested in ADJ’s Hydro Series of IP65-rated automated luminaires, opting for a combination of Hydro Profile and Hydro Spot 2 fixtures. These were deployed in various areas around the site, serving a variety of different purposes. For example, profile fixtures were positioned on truss towers in front of the central Lone Star Stage performance space and used to project background illumination breakup patterns in between acts and then switch to key light when performers were on stage. Meanwhile, an example of the how the spot fixtures were utilized was in a themed area called Fractal Forest, where six fixtures – each set to a different color and setup with a GOBO pattern and slow-rotating prism – filled a forest glade with light to create a magical environment.
“The Hydro Series fixtures were real game changers for us because of A, their IP-rating, which makes them incredibly flexible and B, their versatility and power, which is phenomenal,” explains Wes. “We previously had a small moving light rig consisting of 12 ADJ Vizi BSW 300s, which we used in our indoor worship center. However, the Hydro fixtures give us so many more options. For Lone Star lights we use the BSW 300s for key light in our dinner theatre production and all the Hydro fixtures are deployed outside. But then in the summer a lot of those fixtures are moved indoors to our worship environments, because of their increased power and feature sets – for example having framing shutters for the key light is very useful! We then move the BSWs down to the stage for use as additional eye candy.”
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