In Belgium, global reality TV franchise The Voice van Vlaanderen (The Voice of Flanders) features an Arf & Yes lighting design with over 300 CHAUVET Professional fixtures, supplied by Phlippo Productions.
“We have been designing for The Voice for some time,” said lighting programmer and operator Jonas Weyn, who works on the show with a whole team of lighting and set designers. “The design is always about balance, making it visually appealing for the live and TV audiences.”
For this season, The Voice’s set underwent a complete makeover, going with a versatile design that can seamlessly morph from big, bold panoramic looks to more intimate settings to reflect the full emotional range of the show’s talent.
Playing a key role in helping the Arf & Yes team achieve this multifaceted design are the 12 Maverick MK2 Profiles and close to 300 ÉPIX Strip linear fixtures in the rig. The versatile Maverick units do double duty, serving as key lights for the contestants and coaches, while also adding dramatic impact to performances as back lights.
“I like that the Maverick’s framing system is really accurate,” said Weyn. “It’s compact, so we can place it discreetly in more positions, and it’s also very fast, which is good for creating punchy effects. Plus, since it is very quiet, it’s well suited for a TV studio.”
Included among the ÉPIX Strip fixtures in the rig are ÉPIX Strip IP, ÉPIX Strip Tour, and ÉPIX Strip Tour 50 units. The IP fixtures are used to create double pixel visuals behind the coaches, while the Tour fixtures are used to match various scenic features of the set.
“The colors and movement of the ÉPIX come off very well on television,” said Weyn. “Because they can create so many different patterns, the fixtures allow us to vary the looks on the set, while still maintaining a consistent design. We kept adding more Strips during the show, because they are so useful.”
Photo Credit: Picturesk
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