Reverb Names Stahl CEO
Reverb, the largest online marketplace dedicated to music gear, has announced that Ben Stahl has been named as the company’s new chief executive officer, effective immediately.
“Over the past 12 years, I’ve admired the vibrant platform Reverb has built for musicians across the globe, and I’m honored to be part of the community,” said Stahl. “Whether we’re launching new product features to empower buyers and sellers or unlocking new modes of sonic expression for players through Reverb content, our mission remains the same: to make the world more musical.”
Stahl’s appointment follows his leadership roles at community-driven creator platforms SoundCloud and Vimeo, where he focused on user feedback to inform product improvements and drive business growth. At SoundCloud, Stahl launched artist-focused mastering and distribution tools and piloted user-centric royalties to help independent musicians earn more for their work. At Vimeo, Stahl introduced creator-focused features including Vimeo Live Streaming, seamless video editor integrations, and the fastest uploading experience on the Internet.
At Reverb, Stahl plans to put the platform’s thriving community of buyers, sellers, creators, and brands at the forefront of every decision, leaning into the marketplace’s newfound independence to create exceptional products that serve musicians of all levels and unlock growth across the global MI industry.
In the last six months, Reverb’s efforts to better connect music makers with gear through features such as Wallet and sell in-store have helped sellers discover increased demand from musicians eager to try out different guitars, synths, pedals, and more. Looking ahead, a greater focus on building symbiotic partnerships with sellers will be key to Reverb’s mission, as will introducing buyers with gear they’ll love, helping Reverb play a greater role in uplifting the entire musical instrument industry.
NAMM Foundation Expands Grantmaking to Benefit All Segments and Communities of the Music Industry
NAMM and the NAMM Foundation have announced over $800,000 in grants to 57 deserving charitable organizations, which represents the largest number of grants ever given to organizations from across all industry segments. The programs selected serve music makers across industry segments in 26 states and five countries and help provide access to music learning and career opportunities in a variety of communities and demographics, especially those who are underrepresented in the industry.
“Our unwavering commitment to supporting music making and workforce development for our industry has always been part of our core mission at NAMM,” said John Mlynczak, NAMM president and CEO. “With our industry in a regrowth phase, it is more vital than ever to be laser-focused on creating more music makers from a variety of backgrounds, communities and programs that further enrich arts and music in our society.”
“This marks the most significant philanthropic endeavor from the NAMM Foundation, expanding on the spirit of generosity, compassion and hope that The NAMM Foundation has demonstrated since its founding. Each of the programs selected support communities and neighbors who turn to music as an essential part of their daily their lives, reminding us that together, there is always reason for hope,” said Julia Rubio, executive director, The NAMM Foundation.
NAMM and The NAMM Foundation share a global vision to significantly grow and diversify the Grantmaking program, with responsive investments that deepen impact, expand internationally, and balance representation across industry segments and funding priorities. This year The NAMM Foundation opened its grantmaking process to all eligible non-profit organizations in the US and abroad, with funding decisions guided by an independent panel of industry experts. These efforts have significantly increased the capacity to create more music makers worldwide and The NAMM Foundation is ready to exponentially accelerate these efforts over the next decade.
To learn more or contribute to The NAMM Foundation’s grantmaking capacity, please visit www.nammfoundation.org.
Current honorees grantees that received NAMM Foundation support shared their individual stories as an example for other programs and communities to follow:
- “The NAMM Foundation helps us keep the student studio open as a pathway for young people returning from incarceration. It’s a space where they explore creativity, build skills, and find mentorship through the platform of music. We’re grateful to partner with the foundation in using creativity as a bridge back to the community.” – Brandon Steppe, founder & executive director, The David’s Harp Foundation
- “The NAMM Foundation’s grant accelerates our South Dade expansion, bringing consistent, free music instruction to students who need it most. With this support, we’re adding teachers, classes, and performances — strengthening attendance, confidence, and community pride while empowering over 3,000 young people to learn, create, and lead through music.”– Sammy Gonzalez Zeira, CEO & founder, Young Musicians Unite
- “Through the generous financial support of The NAMM Foundation, JAMM is able to offer a Bluegrass Ensemble and Musical Theater in our after-school club.” – Meghan Johnson, JAMM, executive director
- “Thanks to The NAMM Foundation, Girls Make Beats can continue empowering girls from underserved communities through hands-on music education, ensuring that the next generation of producers and engineers reflects the diversity and creativity of the world we live in.” – Tiffany Miranda, president & founder, Girls Make Beats
- “We are honored to receive this grant from NAMM. The funding will help us to cover everything our students need, including instruments, musical equipment, performance apparel, transportation, and ingredients for hot meals. Thank you, NAMM Foundation!” – Derrick Tabb, CEO, Roots of Music
Alhambra, Sadowsky, and Warwick to be Distributed by Yorkville Sound for Canada
Yorkville Sound is proud to announce that it is now the exclusive Canadian distributor for Alhambra Guitars, one of the world’s leading names in handcrafted Spanish classical and flamenco instruments.
Founded in 1965 in Muro de Alcoy, Spain, Alhambra has built a global reputation for excellence in traditional guitar making. Each instrument is meticulously handcrafted by skilled luthiers, blending centuries-old techniques with modern innovation to produce instruments that are admired by students, professionals, and concert performers alike.
“Alhambra Guitars represent a perfect balance of artistry, tradition, and precision craftsmanship,” said Jeff Cowling, vice president of Sales & Marketing at Yorkville Sound. “We are proud to bring these beautifully made Spanish guitars to Canada, expanding our portfolio of world-class musical instrument brands.”
The distribution partnership between Yorkville Sound and Alhambra Guitars is effective immediately. Canadian retailers interested in carrying Alhambra products are encouraged to contact their Yorkville Sound sales representative for more information.
Additionally, Yorkville Sound is proud to announce that it is now the exclusive Canadian distributor for Sadowsky basses, the legendary New York–born brand known worldwide for exceptional craftsmanship, tone, and playability.
Founded by master luthier, Roger Sadowsky in 1979, Sadowsky has earned its reputation as one of the most respected names in modern electric instrument design. With roots in the vibrant New York City studio scene, Sadowsky instruments have been trusted by countless professional artists for their pristine tone, impeccable build quality, and effortless performance.
“Sadowsky has long been a name synonymous with excellence,” said Cowling. “Their instruments deliver world-class tone and precision, and we’re thrilled to make them more accessible to Canadian musicians and dealers.”
The distribution partnership between Yorkville Sound and Sadowsky is effective immediately. Canadian retailers interested in carrying Sadowsky products are encouraged to contact their Yorkville Sound sales representative for more information.
Lastly, Yorkville Sound is proud to announce that it is now the exclusive Canadian distributor for Warwick, one of the world’s most respected manufacturers of premium bass guitars and accessories.
Founded in 1982 in Markneukirchen, Germany, Warwick has become synonymous with innovation, craftsmanship, and tonal excellence. Every Warwick bass is meticulously handcrafted using sustainable tonewoods and precision engineering, making them a top choice for discerning musicians worldwide — from boutique enthusiasts to legendary touring professionals.
“Warwick’s legacy of quality and craftsmanship aligns perfectly with Yorkville Sound’s commitment to providing bassists the best range of gear available,” said Cowling. “We will be focusing on key models in the Rockbass Series and the German-manufactured Teambuilt Series.”
The distribution partnership between Yorkville Sound and Warwick is effective immediately. Canadian retailers interested in carrying Warwick products are encouraged to contact their Yorkville Sound sales representative for more information.
KMC Music Named Exclusive Distributor for Hiwatt, Park and WEM in U.S.
KMC Music is excited to be named the Exclusive Distributor for Hiwatt, Park, and WEM in the U.S., offering musicians the chance to experience these iconic brands.
Britampco continues a legacy of handcrafting amplifiers, pedals, and speaker cabinets in England since the 1960s, providing professional-level equipment for modern musicians while also appealing to classic amplifier enthusiasts.
“It’s an honor to lead the charge for Britampco in the U.S.,” said Kevin Drury, merchandising manager, KMC Music. “Hiwatt, Park, and WEM are legendary, and we’re excited to introduce their tone and craftsmanship to a new generation.”
Hiwatt amps are known for their high headroom, build quality, and versatility, making them ideal for both studio and live performances. They are key in creating diverse tones across rock, country, metal, and blues, and have been used by iconic artists on major stages.
“We’re thrilled to partner with and make these iconic brands accessible for musicians, helping them achieve vintage tone with the reliability of modern craftsmanship,” said James Tsaptsinos, VP Global MI/Pro Sales, JAM Industries.
Park amplifiers, famous for their hand-wired build quality, reshaped 60s and 70s rock music, and rare Park pedals like the ‘Fuzz Sound’ are highly sought after.
“We want players to be ‘blown away’ by the sound of a Park Amp, just as so many greats were in the early days of Bletchley, England,” said Alex Bak, director of Britampco.
WEM, pioneers of early PA systems with unique grill cloth and ‘tadpole’ piping, were widely used by musicians in the 60s and 70s. Their cabinets, famously paired with Fane Loudspeakers, are responsible for some of the most iconic guitar tones of all time.
Pearl Drums Announces the Pearl Educational Advisory Board to Further Music Education
Dedicated to shaping the future of music education, the Pearl Educational Advisory Board will guide curriculum development, support programs in need, and offer free tutorials and entertainment content. As a leading manufacturer of musical instruments, Pearl values the development of musicians at all levels — from students and educators to professionals — and the EAB is central to this mission. In addition to educational development, the EAB will aid in the design and advancement of Pearl’s Band & Orchestra instruments to meet the needs of future generations of musicians. The EAB’s mission is to support musicians of every age and stage — fostering growth, creativity, and a lifelong passion for music.
The EAB will be led by Thom Hannum, Pearl’s new Director of Education, and consists of 10 inaugural board members from across Pearl’s roster of world-class Concert, Marching, and Drumset Artists. Board members include: Julie Davila(MTSU, PAS Board of Directors), Lalo Davila (MTSU), Matt Jordan (University of Michigan), Ji Hye Jung (Vanderbilt University), Will Kennedy (USC Thornton School of Music), Gene Koshinski (University of Delaware, Quey Percussion), Colin McNutt(Boston Crusaders), Mark Thurston (WGI Director of Percussion), Ivan Trevino (The University of Texas at Austin), and John Wooton (University of Southern Mississippi).
Triumph & Trajectory: The 2025 Pearl River Kayserburg International Youth Piano Competition
Now in its 42nd year, the Pearl River Kayserburg International Youth Piano Competition continues to foster young musical talent worldwide with a new format, a distinguished advisory council, and hundreds of regional stages culminating in the International Grand Final in Xiamen, China.
A global pipeline for rising talent
The competition’s footprint is extensive, with over 200 domestic and international sub-competition zones, and its impact is cumulative, with more than one million contestants participating on a Kayserburg stage throughout its history. That scale is intentional: discover, encourage, and elevate outstanding musical talent while fostering international exchange through music.
Preliminaries for 2025 began in March, spanning multiple countries and regions to select finalists for the autumn finale in China.
What’s new in 2025
Organizers describe this year’s format as “breaking boundaries,” featuring a prestigious jury, more in-depth artistic guidance, and richer experiences for participants, creating an intentional evolution to expand the stage and focus the spotlight.
Categories span four main groupings (Student, Duet/Ensemble, College, and Open), subdivided into 10 divisions. Rounds include Preliminary, Semi-final, and Grand Final (two rounds for College and Open). Together, the structure creates a fair ladder for ages and levels, while repertoire breadth tests musicianship, technique, and expression across periods and styles.
Repertoire requirements at the international Grand Final emphasize range and depth: an etude from a choice of Chopin, Liszt, Rachmaninoff, Scriabin, Debussy, Stravinsky, Prokofiev, or Ligeti, a Classical-era sonata movement (Haydn/Mozart/Beethoven/Schubert), and additional free-choice works which are memorized and from contrasting composers.
Regional Spotlights:
Singapore: On August 16, the Singapore Regional Finals winnowed an initial pool of 400+ entrants down to 100 finalists. The event crowned category winners and named Student Category Top Prize winner Pan Jiarong Oscar to represent Singapore at the International Grand Finals in Xiamen.
Vietnam: Vietnam’s finals culminated with an awards ceremony in Nha Trang, performed on the critically acclaimed Kayserburg GH275Z, underscoring Pearl River’s commitment to providing high-caliber instruments at every level of the pathway.
The road to Xiamen
After regional events, selected winners proceed to a Preliminary Grand Final (online), with results slated by late August. The International Grand Final took place in Xiamen, China, from October 5th to 9th 2025.
Artistic leadership
The competition’s advisory and organizing leadership includes distinguished figures across China’s conservatories and performance circles — among them Ye Xiaogang, Liu Shikun, and Shi Shucheng as Artistic Advisors, with Wu Ying serving among the Organizing Committee Directors alongside Wei Danwen and Li Jianning.
In many regions, the competition is paired with masterclasses and concerts by noted artists and educators, providing young pianists with close contact with role models and expanding the cultural impact of each event beyond the stage.
JodyJazz DV JC JODY CUSTOM Alto Mouthpiece Wins ‘Best New Product of the Year’ at Music China 2025
JodyJazz Inc. is proud to announce that the new JodyJazz DV JC JODY CUSTOM Alto Saxophone Mouthpiece was selected as the 2025 Best New Product of the Year in the Woodwinds Category at the recent Music China show held in Shanghai. The annual Best New Product Awards are presented by the Music China Organizing Committee, recognizing outstanding innovation, design, and craftsmanship in the global musical instrument industry.
JodyJazz founder and president Jody Espina accepted the prestigious award during a special ceremony held on the opening day of Music China 2025, on the show’s main outdoor performance stage. In addition to the award itself, Espina was presented with an elaborate certificate commemorating the achievement, symbolizing the Organizing Committee’s recognition of the mouthpiece’s exceptional design and artistry.
As the winner of the Best New Product in the Woodwinds category, Espina was also invited to participate in the “New Product Launch Roadshow,” where the award-winning manufacturers were given the opportunity to present their products live. During his presentation, Espina discussed the design inspiration and development process behind the DV JC JODY CUSTOM Alto mouthpiece and also performed two songs accompanied by backing tracks, demonstrating the rich tone, projection, and expressive qualities that define the mouthpiece.
Following the ceremony, Espina was interviewed by members of the selection committee, with video highlights and social media coverage appearing across Music China’s official platforms. The award-winning DV JC JODY CUSTOM Alto was also featured for the duration of the show in the New Products Area Display, a special exhibition dedicated to showcasing all of this year’s winners.
“We are deeply honored by this recognition from the Music China Organizing Committee,” said Espina. “The DV JC JODY CUSTOM represents the culmination of years of refining my personal DV mouthpiece. To have it acknowledged on this international stage — especially in a country with such a vibrant and growing saxophone community—is truly meaningful.”
The DV JC JODY CUSTOM Alto mouthpiece is the latest addition to JodyJazz’s acclaimed DV Series. Based on Espina’s own custom-modified DV mouthpiece, the model delivers exceptional versatility, power, and warmth, making it ideal for professional performers across a wide range of musical genres.
D’Addario Foundation Awarded $10,000 NAMM Foundation Grant
The D’Addario Foundation announces that it has received a $10,000 grant from the NAMM Foundation to support the Immersive Music Challenge (IMC): an effort to improve awareness of the positive impacts of immersive music-based mentoring and support nonprofit organizations that provide free or affordable music instruction and mentoring within high-needs communities.
The grant will help support the IMC Implementation Study, a five-year research study, with NORC at the University of Chicago serving as the third-party evaluator. The study seeks to illustrate the impact that immersive music instruction and music-based mentoring can have on academic performance, especially literacy and grade-level reading, and social-emotional wellbeing of children from low-income communities.
Advancing Music Education Through Research and Partnership
“This contribution from the NAMM Foundation is a meaningful example of how investments in research can uncover data that demonstrates the power of music-based mentoring,” said Karen Shelley, executive director of the D’Addario Foundation.
Grant Highlights
The D’Addario Foundation received a $10,000 NAMM Foundation grant in support of its Immersive Music Challenge (IMC) Implementation Study.
Funds will directly support the IMC Implementation Study, a five-year research study, with NORC at the University of Chicago serving as the third-party evaluator, to examine how long-term music-based mentoring impacts academic achievement, especially literacy and grade-level reading, as well as social-emotional well-being among students attending high-poverty schools.
The project aims to demonstrate the transformative role of immersive music education in improving outcomes for youth from under-resourced communities.
Findings will help shape music-based mentoring programs and access to music education nationwide.
Marshall and Spinal Tap Reunite for the Loudest Amp Ever Made
Marshall and Spinal Tap II finally unite in a limited design collaboration that celebrates the absurdity, volume, and rock ’n’ roll of going too far (to 11 and Infinity) and loving it.
Built on the spirit of the JVM410H, this collaboration isn’t just loud — it’s louder than loud. Every detail in the panel nods to the amps that shaped a moment in rock history and the film that turned it into comedy gold.
THIS IS THE LOUDEST COLLAB EVER MADE. LITERALLY.
In 1984, This Is Spinal Tap made rock history, and Marshall was right there when guitarist Nigel Tufnel proudly declared, “These go to eleven.” That scene became part of pop culture forever, cementing Marshall’s place as the sound and the symbol of rock excess.
Now, four decades later, that moment comes full circle with the Spinal Tap JVM410H Limited Edition: an amp that finally turns the myth into metal.
“Marshall has always been part of Spinal Tap’s DNA, quite literally,” says Hugh Gilmartin, artist relations & marketing manager at Marshall. “It’s poetic to finally make the amp that fans have talked about for 40 years. It’s a celebration of sound, satire and everything that makes rock both ridiculous and great.”
The Spinal Tap JVM410H features custom panel artwork, renamed channels and controls that literally go beyond. All knobs go to 11, and the master volume reaches infinity. On the back, a bold Spinal Tap logo marks its legacy.
Only 20 units will exist worldwide and will be available for fans in the U.S. only. Eleven will be sold exclusively via Sweetwater’s Gear Exchange beginning on December 7, with all profits going to charities chosen by Spinal Tap: The Roots of Music & Children’s Hospital of Los Angeles.
ADJ Announces New Strategic Distribution Partnership with Sacom AG in Switzerland
Demonstrating the company’s commitment to providing the best possible support to Swiss dealers and customers, ADJ Europe is pleased to announce the appointment of Sacom AG as its exclusive distributor for Switzerland. This new partnership between two well-established and highly respected companies will provide improved product availability and customer support to Swiss ADJ customers, as well as delivering Sacom’s extensive customer base access to ADJ’s expansive product line of professional lighting equipment.
Founded in 1951 and based in Brügg, near Biel, Switzerland, Sacom AG is a leading distributor of car audio, hi-fi and home cinema, DJ equipment and lighting products. Through a strong network of specialized dealers and technical experts, Sacom provides high-quality, innovative brands with local support and personalized service.
“Sacom AG has an impressive pedigree and similar values to those of ADJ, making it the perfect distribution partner for ADJ in Switzerland,” explains Jerome Baudouin, ADJ Supply Europe’s sales manager covering Switzerland. “With their combination of local experience, technical knowledge, and unbridled passion, Stéphane and Damien are ideally placed to support existing Swiss ADJ customers as well as to introduce new Sacom AG dealers to ADJ’s range of professional lighting and effects fixtures. They recently visited our European headquarters for product training and their technical knowledge as well as their passion for the industry was clearly evident, providing further evidence that Sacom AG is the ideal partner for ADJ in their region.”
Inside the Mix: Taylor ‘Squid’ Veraldi Powers From Ashes to New’s Tour with Allen & Heath dLive
Taylor “Squid” Veraldi started off in the studio world, until he got a taste of life on the road. “I did the first couple of tours for free – just to cut my teeth,” he recalled. “I’ve been touring ever since.”
Squid credits those early touring days with giving him the background knowledge needed to handle front of house for major artists. “I was working on every house console imaginable, so it taught me the workflow of each model from different manufacturers.”
After mixing and tour managing with groups like Alesana, Squid was asked to join the new crew of From Ashes to New in 2018. “I worked with one of their vocalists on a previous tour,” he noted. “So they reached out to me as they were looking for people.”
A few years later, the band began maxing out their digital console – and Squid sought out a better option. “I had mixed monitors for the band Nothing More that same year on a dLive S5000 and I immediately fell in love with it,” he recalled. “I loved the flexibility, it sounded amazing, and the user interface made things so easy.”
Squid specifically noted the surface customization options, advanced scene scope control, and the DYN8 dynamic EQ and multiband compressor as key factors for him. “The DYN8 was incredible at getting rid of cymbal bleed in all the mics,” he explained. “It also avoided any harshness in the vocals, similar to a de-esser.”
He also likes that all the system’s processing happens in the MixRack, meaning that trouble at front of house doesn’t stop the show. “I once lost power at FOH and I was worried that the show was dead,” he recalled. “Thankfully, all the audio kept passing and I had time to get my surface powered back up and start making adjustments again.”
Once it was clear that dLive was the platform the band needed, they purchased a dual-screen S5000 surface for front of house, a compact 12-fader C1500 surface for monitor mixing and playback, and a DM64 MixRack as the main processing engine for the system. “We didn’t have a true monitor engineer yet,” he explained. “So the C1500 was also sometimes used for fly dates if we needed a more compact rig at front of house.”
For the next upgrade, the band is looking at purchasing an additional DM0 mix engine with RackUltra FX built-in, doubling their processing power and opening up innovative new FX like saturators, harmonizers, amp simulation, and more. “I got to try the RackUltra FX with Ice Nine Kills and it was amazing,” said Squid. “The additional MixRack also gives us more busses for more routing flexibility and front fills.”
Mixing From Ashes to New offers some unique challenges for Squid, mainly due to the band’s wide dynamics. “I deal with delay throws, filter vocals, screaming, snare bombs, and complex guitar panning” he explained. “I used to do a lot of that manually on the fly – but now I use dLive’s actions and SoftKeys to automate a lot of the work.”
For dealing with build-up in a mix, Squid has learned that most engineers’ reflex is to look in the wrong place. “Instead of chasing the build-up where it seems to be the harshest, I try to remove those frequencies from the channels that don’t need it,” he explained. “For example, I don’t need a ton of 4k in my synths or cymbals – so I just remove those problem frequencies from the channels where it doesn’t need to exist; because it’s just going to build up and layer from there. If I don’t have space for a particular instrument, I start looking for other channels that I can EQ to create space for it.”
People
American Music & Sound (AM&S), in proud partnership with Women in AV/IT (WAVIT), is thrilled to announce the appointment of Jayna Ling Lunny to the esteemed Music Industry Internship Program, a key initiative focused on fostering emerging talent and providing invaluable mentorship connections in the audio-visual and music technology industries.
Throughout the internship, Ling Lunny will work closely with the AM&S marketing team, collaborate across various JAM departments, and engage with key customer accounts. Her responsibilities will include market research, social media strategy development and analysis, and event coordination for commercial and trade show initiatives. The program is designed to support professional growth and provide hands-on experience that prepares interns for a dynamic career in the music and AV/IT industries.
“We are so excited to be working with Jayna and the WAVIT team for yet another term of the program,” notes JAM US MI/Pro vice president of Marketing Jeff Hawley. “Aside from the wonderful bonus of hiring two past interns into full-time roles at JAM, the internship has been a great way for our team to stay in touch with upcoming trends in social media and content marketing as well. The JAM team shares and fully supports the mission of WAVIT to ‘provide a network that supports and empowers women in the AV and IT industries, through education, representation, and inclusion.’ Welcome aboard, Jayna!”
Kepma Guitars USA has announced a significant expansion of its U.S. sales team with the addition of seven highly respected industry veterans across key territories.
The new territory sales representatives will report to Marty Kloska, national sales manager.
“Bringing this team on board marks an exciting new chapter for Kepma USA,” said Tony Moscal, president of Kepma USA. “Each of these individuals brings a wealth of experience, strong dealer relationships, and a passion for music. Together, they will expand our reach across key regions and ensure our dealers and players receive the highest level of support as Kepma continues to grow in the U.S. market.”
Trade Regrets
Ken Parker, legendary luthier and founder of Parker Guitars, passed away peacefully at his home on October 5, 2025 after a long, hard fought battle with cancer.
Reflecting on his career, Parker stated, “Throughout my life, I’ve done something that I love and am proud of – making guitars that advance the art, science, and craft of building far beyond traditional methods. Most importantly, it has been a true joy and especially gratifying experience to see my guitars in the hands of all of you gifted and aspiring players, and I thank you for that opportunity.”
Parker Guitars was founded in 1993 as a vehicle to enable the production, sales, and marketing of what was to become the trendsetting Parker Fly guitar, created by Parker. Utilizing a unique lightweight composite exoskeleton construction technique and an expanded sonic palette enabled through the addition of piezoelectric pickups, the Fly set Parker apart from the pack.
Around 30,000 Parker guitars were crafted in the original Massachusetts factory before the company was purchased by US Music in 2003. An expanded range of instruments were brought to market in this period, extending upon the original Parker Fly, Nitefly, and Fly Bass designs forged from Ken’s groundbreaking approach to guitar building.
“The entire industry mourns the loss of this great visionary. We encourage guitar builders all over the world to continue to honor his innovations and raise the bar he so kindly started,” said James Tsaptsinos, VP of Global Sales, JAM Music Group.
